Book References:

LIGHT, K. (2000) Witness in Our Time. Washington, D.C.: Smithsonian Institution Press.

ADAMS, R. (2004) Essays in Defense of Traditional Values. In: Beauty in Photography. New ed. New York: Aperture, p. 112.

BOGRE, M (2012) Photography As Activism. 1st ed. Amsterdam: Focal Press.

MEYER, P. (1995) Truths and Fictions: Journey from rDocumentary to Digital Photography. 1st ed. New York: Aperture.

TRACHTENBERG, A. (1977) America & Lewis Hine: photographs 1904-1940. New York: Aperture.

STOTT, W. (1986) Documentary Expression and Thirties America. 3rd ed. Chicago: University of Chicago Press.

WRIGLEY, R.(1992) Ansel Adams /images of the American west. Leicester: Magna Books.

RITCHIN, F. (2013) Bending The Frame: Photojournalism, Documentary, and the Citizen. First Edition ed. New York: Aperture.

RITCHIN, F. (2008) After Photography. s.l.: W. W. Norton & Company.

DAVID ALAN  MELLOR, S. B. M. B. M. S. C. S. (2015) Conflict, Time, Photography. Illustrated ed. s.l.: Harry N. Abrams, 2015.

BEYER, L. A. (1988) Intentionalism, Art, and the Suppression of Innovation: Film Colorization and the Philosophy of Moral Rights., s.l.: s.n.

MAVILIAN, S. (2014). The Modern Archive of Conflict. In: Conflict, Time, Photography.. s.l.: Tate Publishing, p. 224.

EGAN, J. D. a. K. (2005). Educational Philosophy and Theory. Educational Theory as Theory of Culture: A Vichian perspective on the educational theories of John Dewey and Kieran Egan, 01 August, 37(4), pp. 475-494(20).

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DAVID GORDON, J. M. K. J. C. M. C. R. (2011) Controversies in media ethics. 3rd Edition ed. New York: Routledge.

WILKINS, P. P. a. L. (2008) Informing the Public Must Come First. In: Media Ethics: Issues and Cases. 1st Edition ed. New York: McGraw-Hill, p. p. 38.

GOSSMAN, L. (2015) Thomas Annan of Glasgow: Pioneer of the Documentary Photograph. s.l.: Open Book Publishers.

BATES, D. (2009). Photography: The Key Concepts. 1st ed. Oxford: Berg.

JOHN S. NELSON, A. M. (1988) The Rhetoric of the Human Sciences. Language and Argument in Scholarship and Public Affairs.

SINGER, P.(2009) Foreword. In: P. Singer, ed. A Shadow Falls. 1st ed. New York: Harry N. Abrams, Inc., p. 132.

MARK DURDEN (n.d) Monograph Essay by Mark Durden and John Stathatos. Paul Seawright: Hidden.

MORSS, S. B. (1991) The Dialectics of Seeing: Walter Benjamin and the Arcades Project (. London: MIT Press.


ADAMS, ROBERT (1996) Beauty in photography: Essays in defence of traditional values

BARR, GEORGE (c2011) Why Photographs Work: 52 Great Images: Who Made them, what makes them special and why, Santa Barbara, Calif.: Rocky Nook; Sebastopol, Calif.: Distributed by O’Reilly Media.

BARRET, T. (2013) Criticising Photographs. (5th edition.) New York: McGraw-Hill.

BASINGSTOKE (2013) Landscape Photographer of the year. Collection 7, AA Publishing.

BERGER, J. (2008) Ways of Seeing. London, Penguin.

CLARK, DAVID (2009) Photography in 100 Words. Amsterdam; Boston: Elsevier/Focal Press.

COTTON, C (2009) The Photograph as Contemporary Art. Thames & Hudson

GRUNDBERG, A. (2010). The Crisis of the Real. New York: Aperture.

HEIFERMAN, M. (c2012). Photography changes everything. New York: Aperture; Washington, D.C.: Smithsonian Institution.

LA GRANGE, A (2005) Basic Critical Theory for Photographers. Focal Press.

MCCURRY, STEVE (2006) Looking East: Portraits. London; New York: Phaidon Press.

NEWHALL, B (c1980) Photography Essays & Images.  New York: Museum of Modern Art; Boston: Distributed by New York Graphic Society.

RAGHUBIR, SINGH (1998). River of Colour. London: Phaidon, 1998.

SONTAG, S. (1979). ON PHOTOGRAPHY. 3rd Edition ed. London(Newed): Penguin.

SZARKOWSKI, J (2007) The Photographer’s Eye. New York, The Museum of Modern Art

SALGADO, SEBASTIÃO (2006) Sebastião Salgado / Introduction by Christian Caujolle, London: Thames & Hudson, 2006.Photofile

WELLS, LIZ (2004) Photography: A Critical Introduction / Edited by Liz Wells, London; New York: Routledge, 2004 (3rd Edition).

THOMPSON, D. W.(1951). On Growth and Form, Catalogue 1951. 2nd Edition ed.: New York: Dover, 1992. (Barcelona Exhibition)

KEEL, P. (2003) Color. Germany(Göttingen): Steidl.